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Rock/Pop
CD
When We All Fall Asleep, Where Do We Go?
★★★★★
★★★★★
5.0
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商品の情報

フォーマット

CD

構成数

1

国内/輸入

輸入 (International Version)

パッケージ仕様

-

発売日

2019年03月29日

規格品番

7742762

レーベル

Interscope

SKU

602577427626

作品の情報
メイン
アーティスト
商品の紹介
今、世界で最も注目されるティーン・ポップアイコン=ビリー・アイリッシュ待望のデビュー・アルバムが発売!日本での初パフォーマンスとなった2018年サマー・ソニックでは16歳とは思えない圧巻のパフォーマンスで新世代のスターの登場を誰もが予感した。
発売・販売元 提供資料 (2019/02/07)
Rolling Stone - 3.5 stars out of 5 -- "[I]t's an album full of dressed-down avant-pop with D.I.Y. immediacy and intimacy that can still hold its own amid Top 40 maximalists like Ariana Grande and Halsey. Eilish's sound is hyper-modern, but still feels classic..." Entertainment Weekly - "[T]he preternaturally old-souled L.A. native proved to be her own kind of drug -- a master of hypnotic grumpy-cat songcraft.: Billboard - "Here, Eilish draws equally from pop, trap and punk to construct a haunting dance-floor lucid dream that is at turns wicked, gorgeous and sarcastic..." NME (Magazine) - 5 stars out of 5 -- "As the 14 tracks whittle along, that elusive and definable `sound' starts to show itself. It's remarkably agile; `Xanny', a three-part soundclash, is perhaps the best example of the sonic palette that's dipped into." Paste (magazine) - "[H]er music, songs that emphatically encapsulate teenage angst for an existential era, is very much of this period as well." Pitchfork (Website) - "The debut album from the meteoric pop star lives in a world of its own: gothic, bass-heavy, at turns daring and quite beautiful." Clash (Magazine) - "This record is a complex presence, bewitching and obscure, with several stunning twists and turns, taking you on a journey through her dark and angst-ridden mind."
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 00:42:48

Audio Mixer: Rob Kinelski. On her big-league debut, Billie Eilish makes a bold entrance into the mainstream, leaving the fringes behind to embrace her role as an anti-pop star for the disaffected Gen Z masses. With a youthful, hybrid blend that incorporates elements of indie electronic, pop, and hip-hop (assisted by brother Finneas O'Connell), When We All Fall Asleep, Where Do We Go? captures the late-2010s zeitgeist by throwing conventional boundaries to the wind and fully committing to its genre-blurring self. Like Lorde's devilish little sister, Eilish delivers her confessional lyrics in hushed bursts of breath, at times dirge-like in their sedateness and otherwise intensely threatening in their creepiness. Beneath the calculated image, she's a highly relatable kid -- not yet of legal voting age at the time of the album's release -- and an avatar for an audience that deals with similar mental health struggles and growing pains. From the opening line of hilarious opener "!!!!!!!," Eilish makes it clear that she is just like you, the listener, goofing off in the studio with her brother while she's supposed to be recording her major-label debut. As endearing as it is obnoxious, the track sets the tone and, from there, the album is a thrill. Bouncing from infectious dance-pop highs to tender, restrained lows, Eilish manages effortless cohesion, even within the span of a single song. "Bad Guy" throbs like the cavernous echo heard outside the club, sparking to life with a K-pop brightness before descending with a bellowing trap drop, while "All the Good Girls Go to Hell" rides a playful bass strum that manages to pull some G-funk effects into its orbit. The meme-worthy "My Strange Addiction" makes the inspired choice to interpolate dialogue from the "Threat Level Midnight" episode of The Office (which had already wrapped its entire televised run before Eilish even turned 12), all while managing to be one of the sleekest standouts on the album. Other highlights include the hypnotic minimalist single "Bury a Friend," an unnerving nightmare that is as disturbing as it is addictive; the twisted funhouse electro-pop "Ilomilo"; and "You Should See Me in a Crown," a spiritual descendant of Lorde's "Royals" that finds Eilish making a power grab to rule the one-horse "nothing town" instead of simply complaining about it. While empowering and vulnerable messages bleed through every song, the quieter moments allow her introspection to take the spotlight, especially on the restrained trio that closes the album. She contemplates ending her life on the swelling, piano-centric "Listen Before I Go" and offers an uncomfortably uncertain conclusion with "Goodbye," but it's the swelling storm of "I Love You," a heartbreaking acoustic beauty, that pegs Eilish as something more than a spooky, scare-the-parents gimmick. Indeed, with When We All Fall Asleep, Where Do We Go?, she demonstrates that she can do it all, hinting at a bright future that could truly go in any direction, as messy and hopeful as youth can get. ~ Neil Z. Yeung

    • 1.
      [CD]
      • 1.
        !!!!!!!
      • 2.
        bad guy
      • 3.
        xanny
      • 4.
        you should see me in a crown
      • 5.
        all the good girls go to hell
      • 6.
        wish you were gay
      • 7.
        when the party's over
      • 8.
        8
      • 9.
        my strange addiction
      • 10.
        bury a friend
      • 11.
        ilomilo
      • 12.
        listen before i go
      • 13.
        i love you
      • 14.
        goodbye
レビュー
  • 2019年を代表するポップ作品が誕生した。シングル・デビューから3年、ようやくファースト・アルバムを完成させたこの米国人シンガー・ソングライターは、ファンタジーとリアリティー、恐怖と好奇心が渦巻く17歳の頭のなかを、毒の効いた言葉と密やかな歌声で巧みに表現。阿吽の呼吸でミニマルなプロダクションを施した兄と、2人だけで作ったインティメイトでストレンジな世界は、圧倒的なオリジナリティーを誇っている。
    bounce (C)新谷洋子

    タワーレコード (vol.426(2019年4月25日発行号)掲載)

カスタマーズボイス
総合評価
5.0
★★★★★
★★★★★
(4)
    評価する:
★★★★★
★★★★★
投稿日:2020/06/28

不思議な旋律とウィスパーヴォイスが、かなり中毒性有りです。

暑い季節にエアコンのきいた涼しいお部屋で聞きたいようなサウンドです。

★★★★★
★★★★★
投稿日:2020/02/20

今が旬!!今聴かないでいつ聴くんだ!!ということで購入。思っていた以上の素晴らしい作品で捨て曲なし。ヘヴィーローテーションです。i love youに脱帽!!17才でこんな作品が作れるとは・・・この先どうなるのか?さらに期待大!!

★★★★★
★★★★★
投稿日:2020/02/12

今までにない旋律のMUSICでした。特に、BAD GUYは最高ですね。

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