ジョニー・キャッシュ1993年のレコーディングがアップデートされ登場!

1993年初頭、伝説のJohnny Cashは、当時40年近いキャリアの契約の合間を縫って、ナッシュビルのLSIスタジオで、長年にわたって書いてきた曲を集めたアルバム1枚分に相当するソングライティングのデモを録音。
そのレコーディングを一度Johnnyの歌とギターだけに戻し、息子のJOHN CARTER CASHとDAVID "FERGIE" FERGUSONが共同プロデュースでアップデート。このアルバムを完成させた。1CD仕様。

発売・販売元 提供資料 （2024/04/24）

The 2020s to this point have been relatively light in terms of estate-backed, posthumously issued Johnny Cash releases. Following his death in 2003, the vast, essential Unearthed box -- a treasure trove of outtakes from Cashs Rick Rubin-marshalled later years -- kicked off an era of demo albums, such as 2006s Personal File and returns to the Rubin archives like 2010s American VI: Aint No Grave. Compared to 2020s Johnny Cash and the Royal Philharmonic Orchestra -- an unnecessary embellishment of core, previously released material -- Songwriter is an unexpected gem. It comprises 11 demos recorded in 1993 at his stepdaughter Roseys LSI Studios in Nashville during a period out of contract. Thirty years on -- with the help of David Ferguson, his engineer from 1987s Johnny Cash Is Coming to Town onwards -- his son, John Carter Cash, assembled a band rich in experience, who overdubbed unobtrusive, sensitive backing to these recordings. The guitarist Marty Stuart, a regular Cash collaborator in the 80s, and the late bassist Dave Roe, a member of the Tennessee Three from 1992 until Cashs passing, further raised the level of integrity. As the title suggests, each of the songs featured, including the ecological, celestial hymn "Hello Out There" and "I Love You Tonite," a paean to June Carter Cash, are Cash originals. In fact, its the first time since 1977s concept album The Rambler that an album has solely featured Cash compositions. Songwriter comprises eight never-before-heard songs, plus two -- "Drive On" and "Like a Soldier" -- that would eventually appear in stripped-back form on 1994s American Recordings, as well as a return to "Sing it Pretty, Sue," the closing track from 1962s The Sound of Johnny Cash. Understandably, on first listen, Cashs vocal seems to sit detached from the albums instrumental backing. That is, until the heart rules the head, and the nuance of that iconic, gravitas-filled, deep bass-baritone -- combined with masterful and varied examples of his songcraft -- carve Songwriter a rightful place as a highly listenable chapter in his discography. In some ways, it can be seen as a companion release to 2014s Out Among the Stars, a lost album of early-80s Billy Sherrill-produced cuts, also augmented by a John Carter Cash-approved contemporary ensemble. However, this is a marginally stronger set, knitted together by bold, intertwining, recurring themes: strong, inspirational women ("She Sang "Sweet Baby James"); nature and ecology ("Hello Out There," "Have You Ever Been to Little Rock?"); and the effect of war on the individual ("Drive On," "Soldier Boy") alongside devotion and the durability of family ("I Love You Tonite," "Poor Valley Girl"). Wisely, the posthumously added instrumentation is firmly rooted in the oft-visited styles of Cashs early to mid-career -- from "boom chicka boom" rockabilly to countrypolitan commerciality -- instead of retroactively trying to anticipate Rubins influence. Consequently, Songwriter works well as an important document of a previously underrepresented era for Cash, whose career was about to enter a transformational new phase. ~ James Wilkinson

Rovi