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CDアルバム

Morbid Tales

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フォーマット CDアルバム
発売日 2023年04月22日
国内/輸入 輸入
レーベルNoise
構成数 1
パッケージ仕様 -
規格品番 4050538194999
SKU 4050538194999

構成数 : 1枚
合計収録時間 : 00:49:28
Celtic Frost: Tom G. Warrior (vocals, guitar); Martin Ain (bass); Reed St. Mark (drums, percussion); Stephen Priestley (drums). Recorded at Line In Recording Studio, Zurich, Switzerland on April 8-12, 1985. Personnel: Thomas Gabriel Warrior (vocals, guitar); Martin Eric Ain (vocals); Stephen Priestly (drums, percussion). Audio Mixer: Horst Muller. Recording information: Caet Studio, Berlin (10/08/1984-10/15/1984). Virtually unprecedented at the time of its release, Celtic Frost's debut album, MORBID TALES, left a crater on the face of international heavy metal in which bands are still setting up camp today. At a time when the term "Black Metal" referred mostly to an actual album by contemporaries Venom, Celtic Frost helped broaden and define the genre. That said, MORBID TALES--powerful as it is--is not as head-spinningly ambitious as later efforts such as TO MEGA THERION. What it does offer, however, is a snarling buzzsaw attack of dark intensity. Every song on MORBID TALES establishes a formidable groove as vicious as the thrash metal that followed in its wake, but with a punk brutality and indifference to polish. Also, the uncloaked evil of the lyrics, with songs titles like "Visions of Mortality" and "Procreation (Of the Wicked)" set the stage for descendents such as Slayer and Deicide to explore wickedness even further with their own work.

  1. 1.[CDアルバム]
    1. 1.
      Human (Intro)
    2. 2.
      Into the Crypts of Rays
    3. 3.
      Visions of Mortality
    4. 4.
      Dethroned Emperor
    5. 5.
      Morbid Tales
    6. 6.
      Procreation (Of the Wicked)
    7. 7.
      Return to the Eve
    8. 8.
      Danse Macabre
    9. 9.
      Nocturnal Fear
    10. 10.
      Morbid Tales
    11. 11.
      Messiah
    12. 12.
      Procreation (Of the Wicked)
    13. 13.
      Nocturnal Fear

作品の情報

メイン
アーティスト: Celtic Frost

商品の紹介

Though they'd been together for barely a year and had yet to play their first concert, Celtic Frost brought a remarkably accomplished vision to the recording of their first album, 1984's Morbid Tales. With its highly focused thrash metal intensity and peculiar mix of satanic and esoteric lyrics, the album would sow the seeds of Frost's overwhelming influence in years to come. And, along with the powerful visual impact of its bandmembers' leather-bound wardrobe and badly-drawn facial corpse paint, songs like "Visions of Mortality" and "Morbid Tales" would be analyzed, digested, and regurgitated by manic hordes of disillusioned European youths forming their own death metal bands in years to come. Following the hellish primal screams of intro "Human," and the lethal speed metal of "Into the Crypts of Rays," Tom Warrior (aka Thomas Gabriel Warrior) and company lock into a fierce groove which rarely falters through to the last riff of closer "Nocturnal Fear." With its primitive grind, the excellent "Procreation (Of the Wicked)" (later covered by Sepultura) remains a career highlight, but shows no sign of the band's future experiments in avant-garde metal. In fact, these are only hinted at by the female voice recital utilized in "Return to the Eve," and the bizarre noise experiments of "Danse Macabre" -- a collage of sound effects, violin, Warrior's moans, and all-around mayhem. As for Celtic Frost's own source of inspiration, Venom and other New Wave of British Heavy Metal bands provide the bulk of it. The main riff of "Dethroned Emperor," for instance, simply offers a slight variation of Diamond Head's "Am I Evil." But it was Celtic Frost's very isolation from rock's typical breeding grounds which fed their uniquely European perspective. Had they not been impoverished outcasts within Switzerland's protective prosperity in their formative years, it is unlikely that theirs could have been such a twisted and wonderful evolution. ~ Eduardo Rivadavia|
Rovi

Though they'd been together for barely a year and had yet to play their first concert, Celtic Frost brought a remarkably accomplished vision to the recording of their first album, 1984's Morbid Tales. With its highly focused thrash metal intensity and peculiar mix of satanic and esoteric lyrics, the album would sow the seeds of Frost's overwhelming influence in years to come. And, along with the powerful visual impact of its bandmembers' leather-bound wardrobe and badly-drawn facial corpse paint, songs like "Visions of Mortality" and "Morbid Tales" would be analyzed, digested, and regurgitated by manic hordes of disillusioned European youths forming their own death metal bands in years to come. Following the hellish primal screams of intro "Human," and the lethal speed metal of "Into the Crypts of Rays," Tom Warrior (aka Thomas Gabriel Warrior) and company lock into a fierce groove which rarely falters through to the last riff of closer "Nocturnal Fear." With its primitive grind, the excellent "Procreation (Of the Wicked)" (later covered by Sepultura) remains a career highlight, but shows no sign of the band's future experiments in avant-garde metal. In fact, these are only hinted at by the female voice recital utilized in "Return to the Eve," and the bizarre noise experiments of "Danse Macabre" -- a collage of sound effects, violin, Warrior's moans, and all-around mayhem. As for Celtic Frost's own source of inspiration, Venom and other New Wave of British Heavy Metal bands provide the bulk of it. The main riff of "Dethroned Emperor," for instance, simply offers a slight variation of Diamond Head's "Am I Evil." But it was Celtic Frost's very isolation from rock's typical breeding grounds which fed their uniquely European perspective. Had they not been impoverished outcasts within Switzerland's protective prosperity in their formative years, it is unlikely that theirs could have been such a twisted and wonderful evolution. ~ Eduardo Rivadavia
Rovi

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