Rock/Pop
CDアルバム

Altars of Madness

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フォーマット CDアルバム
発売日 2019年01月11日
国内/輸入 輸入
レーベルEarache Records
構成数 1
パッケージ仕様 デジパック
規格品番 ERRE5020932
SKU 817195020931

構成数 : 1枚
合計収録時間 : 00:00:00
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Morbid Angel: David Vincent (vocals, bass); Trey Azagthoth, Richard Brunelle (guitar); Pete Sandoval (drums). All tracks have been digitally remastered. It took five years of practice, foresight on extreme metal trends, and a willingness to stand behind lyrical and musical content that are beyond the pale, even now, but with 1989's ALTARS OF MADNESS, Florida's Morbid Angel delivered one of the early classics of death metal. This reissue of the group's second album features a remastering job that shoves the extremity of their music right into the listener's face, as well as a handful of remixes and enhanced video clips, showing the band in all its gory glory in seminal early live performances.

  1. 1.[CDアルバム]
    1. 1.
      Immortal Rites
    2. 2.
      Suffocation
    3. 3.
      Visions from the Dark Side
    4. 4.
      Maze of Torment
    5. 5.
      Lord of All Fevers and Plague
    6. 6.
      Chapel of Ghouls
    7. 7.
      Bleed for the Devil
    8. 8.
      Damnation
    9. 9.
      Blasphemy
    10. 10.
      Evil Spells

作品の情報

メイン
アーティスト: Morbid Angel

商品の紹介

Entertainment Weekly (1/25/91) - B - "...merges pulverizing speed-metal frenzy with downcast thoughts..." Kerrang (Magazine) (p.51) - "[T]he passage of time has only enhanced the raw magic of their original blasphemous vision. A classic record." Record Collector (magazine) (p.98) - 5 stars out of 5 -- "ALTARS OF MADNESS was and remains a bona fide classic....The songwriting of primary composers David Vincent and Trey Azagthoth was extraordinary."
Rovi

Few albums struck a chord within the ears and minds of the late-'80s underground metal scene like Morbid Angel's Altars of Madness did at the end of the decade, setting a new precedent for metal bands to reach. With the arguable exception of Chuck Schuldiner's Death, never before had a heavy metal band carried their lightning-fast guitar riffs and equally spellbinding guitar solos into such horrific territory. Venom and Slayer redefined the extent to which a metal band could align itself with all things evil during the beginning of the decade, but Morbid Angel made these two groups sound like children's music compared to the Florida-based group's assaulting death metal sounds and their blasphemous lyrics. Bassist David Vincent took inspiration from the developing grindcore scene in England and from fellow Floridian Shuldiner for his snarling vocals. And if Vincent's monstrous vocals aren't scary enough, the band's musical onslaught will surely send children and parents running away in fear. Guitarists Trey Azagthoth and Richard Brunelle construct some ridiculously fast-paced riffs and lay down some jaw-dropping solos as if the music is being played in fast-forward mode; similarly, drummer Pete Sandoval challenges one's perception of how fast a drummer can possibly drum. In the end, though, what made the group so influential to the burgeoning death metal scene of the '90s was not so much the group's groundbreaking template for death metal -- Death had already set the precedent for the musical style on the group's 1987 Scream Bloody Gore album -- but rather Vincent and Azagthoth's near Satanic lyrics that seem far too sincere to be a pose. It wouldn't be long before an entire new style of heavy metal called black metal would arise in Northern Europe in the early to mid-'90s around bands such as Emperor and Cradle of Filth, who initially took a large portion of their Satanic motifs from this album. Even though later Morbid Angel albums made this debut sound amateur in terms of sound quality and creativity, one cannot deny its influence. ~ Jason Birchmeier
Rovi

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