Time Clocks slowly comes into focus after the short atmospheric instrumental Pilgrimage sets the stage for a moody, cinematic record. In its brief minute, Joe Bonamassa plays a fat, melodic phrase that sounds uncannily like David Gilmour, a tone and aesthetic hell return to throughout Time Clocks. Other blues and classic rock greats are alluded to on the album -- the winding riff propelling Notches harkens back to Peter Green-era Fleetwood Mac, Clapton is always lurking around the corner -- but at this stage of his career Bonamassa is a stylist, tying together recognizable influences into something distinctively his own. Here, hes leaning toward somber introspection, filtering his musings on life and society through a Pink Floyd prism. Listen to the title track, where the stately tempo, backing vocals and stair-stepping minor-key riff all recall Floyd, yet he adds flourishes in his arrangements and solos that steer these astral sounds right down to earth. Much of Time Clocks rambles -- six of its ten songs are over six minutes, with another coming close to that mark -- but the blustering Questions and Answers shows that this wandering provides for a more interesting listen than when Bonamassa keeps things on the straight and narrow. ~ Stephen Thomas Erlewine

Rovi