まだその声に幼さを残す若き日のガル・コスタと、ジョアン・ジルベルト的佇まいを内に秘めたカエターノ・ヴェローゾによる記念碑的ボサ・ノヴァ・アルバム。
陰影のあるコード感とオーケストレーションに彩られた繊細で美しい風景。後にジルベルト・ジル等と共に巻き起こすトロピカリズモの波を前に、静かに優しく語りかける珠玉の全12曲。こんなことを言っては身も蓋もありませんが、これ一枚持っていれば他のボサ・ノヴァ作品は何もいらないと思えるほどの素晴らしさです。

発売・販売元 提供資料 （2023/04/10）

This 1967 LP was both Gal Costa's and Caetano Veloso's debut. It's a quiet, post-bossa nova effort characterized by fine singing and some very good songs, some of them penned by Veloso himself. In some ways, Domingo is more like a folk singer/songwriter album out of the '60s London scene than a Brazilian pop record. As it was, this was a deceptive calm-before-the-storm since both artists would soon play central roles in the wild, psychedelic experimental scene known as Tropicalia. It would take years of musical and political tumult before each of them regained their footing, which makes this relatively modest and innocent beginning all the more valuable. ~ Richard Mortifoglio

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