『甘酸っぱい』恋に涙して、抱きしめて。
彼女の物語に、世界中が共感!デビュー曲が前代未聞の大ヒットとなり、音楽業界が騒然の現役女子高生アーティスト=オリヴィア・ロドリゴ。デビューからわずか4カ月でデビュー・アルバムの発売が決定!リスナーの心に寄りそう繊細な作詞、感性豊かな作曲、透き通った歌声で、あなたを『甘酸っぱい』渦に巻き込んでいく・・・。そんなオリヴィアの魅力が詰まった貴重な一枚!

2021年1月にリリースしたデビュー曲「ドライバーズ・ライセンス」によって、全米・全英チャートで初登場1位、Apple Musicデイリーチャート62の国と地域で1位、Spotifyデイリーチャート33の国と地域で1位、史上最速で5億回再生を突破など、勢いを証明する数字には事足らず、「初登場から8週連続全米シングル・チャートで1位となった史上初のアーティスト」の記録を打ち立て、デビュー早々米タイム誌が発表する「次世代の100人」の2021年版にも選出、まさしく2021年を象徴するアーティスト。

発売・販売元 提供資料 （2021/04/15）

Olivia Rodrigo became the brightest new pop star of 2021 with Drivers License, the single that broke streaming records and kicked off a string of number one hits. Its easy to hear why the song was so popular: As she sang about the plans that fall apart in the wake of a breakup and the sheer magnitude of her very first heartbreak, the rawness in Rodrigos voice and lyrics spoke to those her own age and provided some potent flashbacks for those a little -- or a lot -- older than her. On the rest of her debut album Sour, she delivers on the potential of that blockbuster single and then some. Rodrigo nails what its like to be 17, heartbroken, and frustrated, and updates the traditions of the sharp-eyed and sharp-tongued songwriters before her for Generation Z. Like her hero Taylor Swift, shes got a flair for details and a willingness to share every aspect of her heartache, even (or especially) the bitter side of it; on Happier, she sings to her ex, I hope youre happy/But dont be happier. Her ability to pair a sizeable amount of disdain with equally big hooks recalls Lorde on the slinky self-loathing of Jealousy, Jealousy, and there are even shades of Alanis Morissettes jagged, jilted younger woman in Deja Vus hyper-literate litany of tarnished memories. Rodrigo expands on Drivers License with similarly barbed and self-aware power ballads like Traitor, which captures the pain when an ex rebounds more quickly than expected, and with the folky introspection of Favorite Crime, where she reflects on how her desperation to hang onto a relationship made her culpable in her own pain. However, Sour might be even more vital when Rodrigo lashes out on the albums rock-tinged songs. She revels in her anger on Good 4 Us sneering verses and pogo-ing choruses, letting the drum rolls build up a head of steam that the riffs unleash, and begins the album with a surprisingly punky blast of angst on Brutal, where she tears down the idealization of teenage years (Im so sick of seventeen/Wheres my fuckin teenage dream?) over guitars that are the musical equivalent of an eyeroll. Moments like these lend another exciting dimension to her music, even if she takes a few steps beyond the rest of the albums fury on the tender closing track Hope Ur OK. Rodrigo wants to be taken seriously as a songwriter, and she should be -- her combination of sweet melodies and bitter moods, her conversational flow, and her self-awareness are all skills many songwriters twice her age would love to call their own, and they make Sour a well-rounded emotional journey and strong debut album. ~ Heather Phares

Rovi